Enfin libre d tre moi
Vous reconnaissez-vous dans les situations suivantes (honnêtement) ? Une critique de sa boss, de sa meilleure amie ou de son fiancé et Emma nage en pleine anxiété. Emmanuel est parfait : gendre, mari et salarié idéal, il se coupe en quatre pour faire plaisir mais sent un décalage avec ce qu'il désire... et qui il est vraiment. Héloïse travaille dans la com', gagne super bien sa vie mais dilapide son salaire en fringues et chaussures pour se sentir exister. Malgré son bac + 6 et sa créativité débordante, Erwan doute de sa capacité à lancer l'entreprise qu'il rêve de fonder. Si oui, il y a un BUG dans votre système, vous êtes en manque de reconnaissance. Bonne nouvelle : vous avez le pouvoir, vous et vous seul, de combler le déficit, pour être pleinement vous-même et réaliser vos PROJETS.
Totality and Infinity
Ever since the beginning of the modern phenomenological movement disciplined attention has been paid to various patterns of human experi ence as they are actually lived through in the concrete. This has brought forth many attempts to tind a general philosophical position which can do justice to these experiences without reduction or distQrtion. In France, the best known of these recent attempts have been made by Sartre in his Being and Nothingness and by Merleau-Ponty in his Phenomenol ogy of Perception and certain later fragments. Sartre has a keen sense for life as it is lived, and his work is marked by many penetrating descrip tions. But his dualistic ontology of the en-soi versus the pour-soi has seemed over-simple and inadequate to many critics, and has been seriously qualitied by the author himself in his latest Marxist work, The Critique of Dialetical Reason. Merleau-Ponty's major work is a lasting contri but ion to the phenomenology of the pre-objective world of perception. But asi de from a few brief hints and sketches, he was unable, before his unfortunate death in 1961, to work out carefully his ultimate philosophi cal point of view. This leaves us then with the German philosopher, Heidegger, as the only contemporary thinker who has formulated a total ontology which claims to do justice to the stable results of phenomenology and to the liv ing existential thought of our time.
A distressed young man murders the woman he loves in a caf�, watched by a large crowd. Fascinated by the crime she has witnessed, Anne Desbaresdes returns several times to the scene, forming a relationship with a man who also saw the murder, and drinking through the afternoon with him as he patiently answers her eager questions. Slowly, they find themselves being taken over by forces which threaten their own stability.Moderato Cantabile is a carefully woven tapestry of emotion, in which the characters' inner lives are reflected by the story's spaces and landscapes.
A Discourse Upon the Origin and the Foundation of the Inequality Among Mankind
Jean Jacques Rousseau was born at Geneva, June 28, 1712, the son of a watchmaker of French origin. His education was irregular, and though he tried many professions—including engraving, music, and teaching—he found it difficult to support himself in any of them. The discovery of his talent as a writer came with the winning of a prize offered by the Academy of Dijon for a discourse on the question, "Whether the progress of the sciences and of letters has tended to corrupt or to elevate morals." He argued so brilliantly that the tendency of civilization was degrading that he became at once famous. The discourse here printed on the causes of inequality among men was written in a similar competition.
Society Of The Spectacle
The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.
Daniel Pennac has never forgotten what it was like to be a very unsatisfactory student, nor the day one of his teachers saved his life by assigning him the task of writing a novel. This was the moment Pennac realized that no-one has to be a failure for ever.In School Blues, Pennac explores the many facets of schooling: how fear makes children reject education; how children can be captivated by inventive thinking; how consumerism has altered attitudes to learning. Haunted by memories of his own turbulent time in the classroom, Pennac enacts dialogues with his teachers, his parents and his own students, and serves up much more than a bald analysis of how young people are consistently failed by a faltering system.School Blues is not only universally applicable, but it is unquestionably a work of literature in its own right, driven by subtlety, sensitivity and a passion for pedagogy, while embracing the realities of contemporary culture.
The Picture Of Dorian Gray
The picture of Dorian Gray is a novel by Oscar Wilde. This work, as well as many others, is inspired by the legend of Faust. The novel is set in Victorian London of the 19th century, who at the time was filled with a typical bourgeois mentality. It tells of a young man, Dorian Gray, who will make his beauty a rite insane. He begins to realize the privilege of its appeal when his friend, the painter Basil Hallward, gives a portrait that plays in the prime of youth.Lord Henry Wotton will have a decisive role in the life of Dorian, who knows precisely at Hallward: indeed, with his speeches extremely articulate, captures the attention of guy, making it, little by little, almost the embodiment of his way of thinking. In fact, Dorian, after a long talk with Lord Wotton, start watching the youth as something really important, much to feel envious toward his own portrait, eternally beautiful and young. This will bring you to conclude that sort of "Pact with the devil" which will remain eternally young and beautiful, while the picture will show signs of physical decay and moral corruption of the character.
The Bourgeois Gentleman
Classic satire, one of the best by France’s greatest comedic playwright, pokes fun at the sham and hypocrisy of 17th-century French society. A wealthy tradesman, Monsieur Jourdain, yearns to become a gentleman in order to win the hand of a marchioness—disregarding the inconvenient fact that he is already married—but only succeeds in making a fool of himself.
"A gripping first novel" (Le Figaro Littéraire) and an award-winning international sensation as haunting and unforgettable as Suite Française Paris, 1975. Camille sifts through letters of condolence after her mother's death when a strange, handwritten missive stops her short. At first she believes she received it by mistake. But then, a new letter arrives each week from a mysterious stranger, Louis, who seems intent on recounting the story of his first love, Annie. They were separated in the years before World War II when Annie befriended a wealthy, barren couple and fell victim to a merciless plot just as German troops arrive in Paris. But also awaiting Camille's discovery is the other side of the story, which will call into question Annie's innocence and reveal the devastating consequences of jealousy and revenge. As Camille reads on, she begins to realize that her own life may be the next chapter in this tragic story.
Victor Hugo’s Bug-Jargal (1826) is one of the most important works of nineteenth-century colonial fiction, and quite possibly the most sustained novelistic treatment of the Haitian Revolution by a major European author. This Broadview edition makes Hugo’s novel available in a completely new English translation, the first in over one hundred years. Set in 1791, during the first months of a slave revolt that would eventually lead to the creation of the black republic of Haiti in 1804, Bug-Jargal is a stirring tale of interracial friendship and rivalry, a provocative account of the ties that bind a young Frenchman to one of the rebel leaders and the tragic misunderstandings that threaten to sever those ties completely. This Broadview edition contains a critical introduction and a broad selection of appendices, including Hugo’s never-before-translated 1820 short story “Bug-Jargal,” contemporary reviews of the novel, documents pertaining to the young Hugo’s poetics and politics, and selections from his source materials about the Haitian Revolution.