The Way Of Shadows
The perfect killer has no friends. Only targets. For Durzo Blint, assassination is an art. And he is the city's most accomplished artist, his talents required from alleyway to courtly boudoir. For Azoth, survival is precarious. Something you never take for granted. As a guild rat, he's grown up in the slums, and learned the hard way to judge people quickly - and to take risks. Risks like apprenticing himself to Durzo Blint. But to be accepted, Azoth must turn his back on his old life and embrace a new identity and name. As Kylar Stern, he must learn to navigate the assassins' world of dangerous politics and strange magics - and cultivate a flair for death. ***Also available as a graphic novel adaptation, coming April 2014***
The Black Prism
EVERY LIGHT CASTS A SHADOW Gavin Guile is the Prism, the most powerful man in the world. His strength, wit and charm are all that preserve a tenuous peace. But Prisms never last, and Guile knows exactly how long he has left to live. When Guile discovers he has a son, born in a far kingdom after the war that put him in power, he must decide how much he's willing to pay to protect a secret that could tear his world apart.
L Ange de la Nuit L Int grale
Découvrez les Intégrales Bragelonne ! Des séries complètes en numérique pour une durée limitée ! Cette édition exclusive numérique contient les ouvrages suivants : - La Voie des ombres – L’Ange de la nuit, Tome 1 (2009) - Le Choix des ombres – L’Ange de la nuit, Tome 2 (2009) - Au-delà des ombres – L’Ange de la nuit, Tome 3 (2009) Le tueur parfait n’a pas d’amis, il n’a que des cibles. Pour Durzo Blint, l’assassinat est un art et il est l’artiste le plus accompli de la cité, grâce à des talents secrets hérités de la nuit des temps. Pour Azoth, survivre est une lutte de tous les instants. Le petit rat de la guilde a appris à juger les gens d’un seul coup d’œil et à prendre des risques – comme celui de demander à Durzo Blint de le prendre comme apprenti. Mais pour que sa demande soit acceptée, il doit commencer par abandonner son ancienne vie, changer d’identité, aborder un monde d’intrigues politiques, d’effroyables dangers et de magies étranges, et sacrifier ce qui lui est le plus précieux...
Grimdark Magazine Issue 11
Grimdark Magazine presents the darker, grittier side of fantasy and science fiction. Each quarterly issue features established and new authors to take you through their hard-bitten worlds alongside articles, reviews and interviews. Our stories are grim, our worlds are dark and our morally grey protagonists and anti-heroes light the way with bloody stories of war, betrayal and action.FICTION- Cry Wolf by Deborah A. Wolf - Devouring the Dead by Laura Davy- The First Kill by C.T. Phipps- For Honour, For Waste by Setsu Uzume (reprint)NON-FICTION- The Odd Hopefulness of Grimdark by Matthew Cropley- The Survivor's Guide to Collaborating by Matthew Ward- An Interview with Anna Smith-Spark- Review: Mark Lawrence's Red Sister- An Interview with Brent Weeks- Review: Sam McPheeters' Exploded View
Regrouping in Taglios, the surviving members of the Black Company are determined to free their fellow warriors held in stasis beneath the glittering plain. Journey there under terrible conditions, they arrive just in time for a magical conflagration in which the bones of the world will be revealed, the history of the Company unveiled, and new world gained and lost...all at a terrible price. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Monsters in the Closet
Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.
The Drenai King is dead - murdered by a ruthless assassin. Enemy troops swarm into Drenai lands. Their orders are simple - kill every man, woman and child. But there is hope. Stalked by men who act like beasts and beasts that walk like men, the warrior Waylander must journey into the shadow-haunted lands of the Nadir to find the legendary Armour of Bronze. With this he can turn the tide. But can he be trusted? For he is Waylander the Slayer. The traitor who killed the King...
Troy Shield Of Thunder
The war of Troy is looming, and all the kings of the Great Green are gathering, friends and enemies, each with their own dark plans of conquest and plunder. Into this maelstrom of treachery and deceit come three travellers; Piria, a runaway priestess nursing a terrible secret, Kalliades, a warrior with a legendary sword, and Banokles who will carve his own legend in the battles to come. Shield of Thunder takes the reader back into the glories and tragedies of Bronze Age Greece, reuniting the characters from Lord of the Silver Bow; the dread Helikaon and his great love, the fiery Andromache, the mighty Hektor and the fabled storyteller, Odysseus.
The Lies of Locke Lamora
They say that the Thorn of Camorr can beat anyone in a fight. They say he steals from the rich and gives to the poor. They say he's part man, part myth, and mostly street-corner rumor. And they are wrong on every count. Only averagely tall, slender, and god-awful with a sword, Locke Lamora is the fabled Thorn, and the greatest weapons at his disposal are his wit and cunning. He steals from the rich - they're the only ones worth stealing from - but the poor can go steal for themselves. What Locke cons, wheedles and tricks into his possession is strictly for him and his band of fellow con-artists and thieves: the Gentleman Bastards. Together their domain is the city of Camorr. Built of Elderglass by a race no-one remembers, it's a city of shifting revels, filthy canals, baroque palaces and crowded cemeteries. Home to Dons, merchants, soldiers, beggars, cripples, and feral children. And to Capa Barsavi, the criminal mastermind who runs the city. But there are whispers of a challenge to the Capa's power. A challenge from a man no one has ever seen, a man no blade can touch. The Grey King is coming. A man would be well advised not to be caught between Capa Barsavi and The Grey King. Even such a master of the sword as the Thorn of Camorr. As for Locke Lamora ...
Laurel was mesmerized, staring at the pale things with wide eyes. They were terrifyingly beautiful—too beautiful for words. Laurel turned to the mirror again, her eyes on the hovering petals that floated beside her head. They looked almost like wings. In this extraordinary tale of magic and intrigue, romance and danger, everything you thought you knew about faeries will be changed forever.