A unique system for jump-starting artistic creativity, encouraging experimentation and growth, and increasing sales for artists of all levels, from novices to professionals. Have you landed in a frustrating rut? Are you having trouble selling paintings in galleries, getting bogged down by projects you can’t seem to finish or abandon, or finding excuses to avoid working in the studio? Author Carol Marine knows exactly how you feel—she herself suffered from painter’s block, until she discovered “daily painting.” The idea is simple: do art (usually small) often (how often is up to you), and if you’d like, post and sell it online. Soon you’ll find that your block dissolves and you’re painting work you love—and more of it than you ever thought possible! With her encouraging tone and useful exercises, Marine teaches you to: -Master composition and value -Become confident in any medium including oil painting, acrylic painting, watercolors, and other media -Choose subjects wisely -Stay fresh and loose -Photograph, post, and sell your art online -Become connected to the growing movement of daily painters around the world From the Trade Paperback edition.
A blogger, teacher and painter describes how the practice of painting small projects daily can help artists at all levels grow, improve their technique and skill level and keep the creative ideas flowing. Original. 10,000 first printing.
Carol Marine A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Daily Painting Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
60 Minutes to Better Painting
Presents advice for painters on exploring composition, creating light effects, using a variety of brushes, drawing mass and form, and improving skills by practicing with quick paintings.
The Daily Practice of Painting
Gerhard Richter, born in Dresden in 1932, is one of the foremost painters of his generation. A great deal has been written about the bewildering heterogeneity of his work over the past 30 years, his seemingly willful and defiant movement between abstract and figurative modes of representation and his use of a variety of methods of applying paint to canvas. And Richter himself is the master of the paradoxical statement. Although he has emphasized that he is foremost a painter and has never been a theorist, throughout his career he has issued provocative and memorable statements. Over seven years in preparation, this book makes available a selection of Richter's texts, many translated for the first time. These texts come from all periods of his career, beginning with a letter he wrote to a film company promoting the first group show of German Pop Art in 1963, in which he was a participant. There are public statements about specific exhibitions, private reflections drawn from personal correspondence, answers to questions posed by critics, and excerpts from journals discussing the intentions, subjects, methods, and sources of his works from various periods. The writings are accompanied by 87 biographical illustrations from the artist's personal collection.
One Painting A Day
One Painting A Day offers you an inspiring six-week course exploring the timeless traditions of observational painting through daily experience and routine. This motivational guide is broken up into three parts to focus on the three major traditions of observational painting: still life, landscape, and portraiture. Each of the 42 daily exercises launches a small, immediate, and responsive painting based on a theme drawn from your daily experience. You will find suggestions on technique, approach, and materials for each day, while the “weekly lessons” explore a format or a rhythm for creating content, inspiring you to make the ordinary extraordinary as you create from every day experience. This beautiful collection of contemporary paintings serves as a workbook of ideas for aspiring artists, art students, professional designers, and art lovers alike.
Oil Painting for the Serious Beginner
Priced to reach a broad market, this book offers an inviting introduction to the materials and techniques of oil painting. Allrich begins with an outline of the essential components of good painting, then describes the basic materials and tools of the oil medium. The fundamentals are strongly stressed and lessons on defining concept, toning the canvas, and understaning light sources are covered. 125 color illustrations.
The Oil Painting Course You ve Always Wanted
Everything you always wanted to know about oil painting...but were afraid to ask. Or maybe you weren’t afraid—maybe you just didn’t know what to ask or where to start. In The Oil Painting Course You’ve Always Wanted, author Kathleen Staiger presents crystal clear, step-by-step lessons that build to reinforce learning. Brush control, creating the illusion of three dimensions, foolproof color mixing, still-life painting, landscapes, and portraits—every topic is covered in clear text, diagrams, illustrations, exercises, and demonstrations. Staiger has taught oil painting for more than thirty-five years; many of her students are now exhibiting and selling their paintings. Everyone from beginning hobby painters, to art students, to BFA graduates has questions about oil painting. Here at last are the answers!
Learn to fill paintings with light; use color to unify; mix colorful grays; and use locations work, notes, sketches, and photographs to create a studio composition.
Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives. From the Hardcover edition.